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DTSTART;TZID=America/Los_Angeles:20250529T080000
DTEND;TZID=America/Los_Angeles:20250529T170000
DTSTAMP:20260422T173139
CREATED:20250512T185321Z
LAST-MODIFIED:20250512T185321Z
UID:63166-1748505600-1748538000@www.nvartscouncil.org
SUMMARY:Fables and Myths
DESCRIPTION:Capital City Arts Initiative is delighted to present work by Sue Cotter and Elaine Parks in the Fable and Myths exhibit. The exhibition brings together their work as a conversation that reflects on cultural and biological remnants. \nCCAI’s exhibit will be in Western Nevada College’s Bristlecone Gallery\, 2201 W. College Parkway\, Carson City from May 14 – Sept. 10\, 2025. The gallery is open to the public\, Monday through Friday\, 8 a.m. – 5 p.m. The artists’ reception will take place on Wednesday\, May 14\, 5–6:30 p.m. \nCotter said that the show’s title superbly mirrors her fascination with fables\, myths\, and all genres of storytelling\, which grew naturally out of a childhood immersed in stories. She said\, “As my family moved from place to place\, a feeling of rootlessness also contributed to my love of disappearing into a story. Books and characters in books became my best friends. As I pursued visual art\, the idea of telling a story was always in my mind\, not illustration but something more open and suggestive\, letting viewers connect to their own narratives. In time\, this approach evolved into the topographic mythology and the bird-headed Thel series. \n“I have used topographic maps in my work since 1981\, when\, as a student at the University of Nevada-Reno\, I saw maps and diagrams in a friend’s geology textbook. I was mesmerized by the beauty of the layered colors and contour line patterns. I didn’t see them as geologic deposits or land elevations; I saw letter-forms and dialogues\, zoomorphic and anthropomorphic shapes; I saw mythological creatures with stories to tell. As earthbound beings looking up at wonders in the night sky\, people of many cultures tell mythological stories inspired by star constellations and planets.” \nParks’ work depicts a cross of desert succulents and marine corals that the Disney fantasies missed. She said about her work\, “I create organic hand-built ceramic objects of contemplation derived from my years of engagement with the desert landscape. In this series of ceramic sculptures\, I take into account my shifting perspectives of the vast landscape and the closely observed details of the desert. The making process involves very detailed manipulation of each piece to create highly realized forms with a timeless quality. In part\, the forms are invented during the process of making. I am fascinated when forms in nature seem to cross between categories. For instance\, many actual tufa formations resemble animal and human forms. In some of my pieces\, I focus on a surface rock texture\, with limbs that create an animated\, creaturely form. The textures of many of these pieces come from direct observation of the incredible variety of tufa rocks. I like to create forms that defy strict categorization\, allowing the viewer to spend time thinking about what a piece looks like to them and engaging with the form\, perhaps being reminded of time spent in nature. My goal is to bring to mind the vitality and spirit of the landscape.” \nCotter is a mixed-media artist\, letterpress printer\, and artist bookmaker. She began her art career as a painter\, but also loved to write. She found the perfect marriage of these two passions in the Artist Book genre. After earning her art degree (University of Nevada\, Reno\, 1983)\, she went on to study the historic techniques of letterpress printing and bookmaking with Bob Blesse at the University of Nevada\, Reno\, Black Rock Press (1988-90). She moved to southern Utah in 1990\, where she acquired equipment and established her own letterpress printing and paper-making studio. \nCotter has received grants and awards\, including a Utah Artist Fellowship and a New Forms Grant from the Andy Warhol Foundation. Her work is in numerous libraries’ Special Collections\, as well as museums and private collections. She teaches workshops\, exhibits extensively\, and continues to explore the limitless possibilities of the book form. She lives in Parowan\, Utah\, where she and fellow artist Spike Ress have built their home and studios. \nParks is a ceramicist and sculptor. A Los Angeles native\, she received her MFA from California State University\, Los Angeles. In 1999\, Parks moved from a town of 14 million to Tuscarora\, Nevada\, a town of 14 people. She currently divides her time between Reno and Tuscarora\, Nevada. In Nevada\, Elaine was recently commissioned to make a series of ceramic sculptures for Deep Time: Sea Dragons of Nevada for the Nevada Museum of Art in Reno. Her work has been exhibited at the Northwest Reno Library\, Nevada Museum of Art\, Oats Park Art Center\, Marjorie Barrick Museum\, Sierra Arts\, and the Holland Project. Parks taught art for seven years at Great Basin College in Elko and has received the Nevada Arts Council Fellowship Award twice. She serves a board member of Double Scoop Art\, an online visual arts journal. \nParks has participated three times in Telephone\, an international game of art\, whispered around the world. In 2010\, she curated and hosted a pop-up exhibition with 24 artists\, music\, and performance events called pLAyLAnd. Nationally and internationally\, Parks was part of LA Contraventions in Germany\, Cryptographics: a tribute to the Voynich Manuscript at the EXPO Chicago\, and designed sets and costumes for Cabaret Revoltaire: 100 Years of Dada\, a performance event at ArtShareLA. Parks has exhibited her work in Los Angeles at LA Artcore\, Far Bazaar\, Angels Gate Cultural Center\, L2Kontemporary\, Antebellum Gallery\, Beyond Baroque\, Ronald Silverman Gallery\, Cal State LA\, and Neo LA Gallery. \nChris Lanier wrote the exhibition essay\, which is available as a gallery handout and archived at ccainv.org. Lanier is an artist and critic who generally likes to mix things up – words and pictures\, video and performance\, design\, and art. He’s had work shown and published in the U.S.\, Mexico\, England\, Japan\, France\, Canada\, and Serbia – and has written for The Believer\, HiLobrow\, Furtherfield\, Rhizome\, the San Francisco Chronicle\, and the Comics Journal. He was awarded a Nevada Arts Council Literary Arts Fellowship in 2024 and served as Reno City Artist for 2024. He is a teaching professor of digital art at the University of Nevada\, Reno at Lake Tahoe (formerly Sierra Nevada College). \nApril Reyes\, a Western Nevada College Latino Leadership Academy student\, provided the Spanish translation of the show’s wall text. \nWestern Nevada College is a component of the Nevada System of Higher Education\, with campuses in Carson City\, Douglas County\, and Fallon. CCAI is an artist-centered nonprofit organization committed to community engagement in contemporary visual arts through exhibitions\, illustrated talks\, arts education programs\, artist residencies\, and online activities. \nThe Initiative is funded by the John and Grace Nauman Foundation\, Nevada Humanities and the National Endowment for the Humanities\, Nevada Arts Council and the National Endowment for the Arts\, Carson City Cultural Commission\, Kaplan Family Charitable Fund\, Southwest Gas Corporation Foundation\, Steele & Associates LLC\, and CCAI sponsors and members. \nFor additional information\, please visit CCAI’s website at www.ccainv.org.
URL:https://www.nvartscouncil.org/event/fables-and-myths/2025-05-29/
LOCATION:Bristlecone Gallery\, 2201 W. College Parkway\, Carson City\, NV\, 89703\, United States
CATEGORIES:Exhibit,Family Friendly,Reception,Visual
ATTACH;FMTTYPE=image/jpeg:https://www.nvartscouncil.org/wp-content/uploads/FM-sbs.jpg
ORGANIZER;CN="Capital City Arts Initiative":MAILTO:sharonrosse2001@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250528T080000
DTEND;TZID=America/Los_Angeles:20250528T170000
DTSTAMP:20260422T173139
CREATED:20250512T185321Z
LAST-MODIFIED:20250512T185321Z
UID:63165-1748419200-1748451600@www.nvartscouncil.org
SUMMARY:Fables and Myths
DESCRIPTION:Capital City Arts Initiative is delighted to present work by Sue Cotter and Elaine Parks in the Fable and Myths exhibit. The exhibition brings together their work as a conversation that reflects on cultural and biological remnants. \nCCAI’s exhibit will be in Western Nevada College’s Bristlecone Gallery\, 2201 W. College Parkway\, Carson City from May 14 – Sept. 10\, 2025. The gallery is open to the public\, Monday through Friday\, 8 a.m. – 5 p.m. The artists’ reception will take place on Wednesday\, May 14\, 5–6:30 p.m. \nCotter said that the show’s title superbly mirrors her fascination with fables\, myths\, and all genres of storytelling\, which grew naturally out of a childhood immersed in stories. She said\, “As my family moved from place to place\, a feeling of rootlessness also contributed to my love of disappearing into a story. Books and characters in books became my best friends. As I pursued visual art\, the idea of telling a story was always in my mind\, not illustration but something more open and suggestive\, letting viewers connect to their own narratives. In time\, this approach evolved into the topographic mythology and the bird-headed Thel series. \n“I have used topographic maps in my work since 1981\, when\, as a student at the University of Nevada-Reno\, I saw maps and diagrams in a friend’s geology textbook. I was mesmerized by the beauty of the layered colors and contour line patterns. I didn’t see them as geologic deposits or land elevations; I saw letter-forms and dialogues\, zoomorphic and anthropomorphic shapes; I saw mythological creatures with stories to tell. As earthbound beings looking up at wonders in the night sky\, people of many cultures tell mythological stories inspired by star constellations and planets.” \nParks’ work depicts a cross of desert succulents and marine corals that the Disney fantasies missed. She said about her work\, “I create organic hand-built ceramic objects of contemplation derived from my years of engagement with the desert landscape. In this series of ceramic sculptures\, I take into account my shifting perspectives of the vast landscape and the closely observed details of the desert. The making process involves very detailed manipulation of each piece to create highly realized forms with a timeless quality. In part\, the forms are invented during the process of making. I am fascinated when forms in nature seem to cross between categories. For instance\, many actual tufa formations resemble animal and human forms. In some of my pieces\, I focus on a surface rock texture\, with limbs that create an animated\, creaturely form. The textures of many of these pieces come from direct observation of the incredible variety of tufa rocks. I like to create forms that defy strict categorization\, allowing the viewer to spend time thinking about what a piece looks like to them and engaging with the form\, perhaps being reminded of time spent in nature. My goal is to bring to mind the vitality and spirit of the landscape.” \nCotter is a mixed-media artist\, letterpress printer\, and artist bookmaker. She began her art career as a painter\, but also loved to write. She found the perfect marriage of these two passions in the Artist Book genre. After earning her art degree (University of Nevada\, Reno\, 1983)\, she went on to study the historic techniques of letterpress printing and bookmaking with Bob Blesse at the University of Nevada\, Reno\, Black Rock Press (1988-90). She moved to southern Utah in 1990\, where she acquired equipment and established her own letterpress printing and paper-making studio. \nCotter has received grants and awards\, including a Utah Artist Fellowship and a New Forms Grant from the Andy Warhol Foundation. Her work is in numerous libraries’ Special Collections\, as well as museums and private collections. She teaches workshops\, exhibits extensively\, and continues to explore the limitless possibilities of the book form. She lives in Parowan\, Utah\, where she and fellow artist Spike Ress have built their home and studios. \nParks is a ceramicist and sculptor. A Los Angeles native\, she received her MFA from California State University\, Los Angeles. In 1999\, Parks moved from a town of 14 million to Tuscarora\, Nevada\, a town of 14 people. She currently divides her time between Reno and Tuscarora\, Nevada. In Nevada\, Elaine was recently commissioned to make a series of ceramic sculptures for Deep Time: Sea Dragons of Nevada for the Nevada Museum of Art in Reno. Her work has been exhibited at the Northwest Reno Library\, Nevada Museum of Art\, Oats Park Art Center\, Marjorie Barrick Museum\, Sierra Arts\, and the Holland Project. Parks taught art for seven years at Great Basin College in Elko and has received the Nevada Arts Council Fellowship Award twice. She serves a board member of Double Scoop Art\, an online visual arts journal. \nParks has participated three times in Telephone\, an international game of art\, whispered around the world. In 2010\, she curated and hosted a pop-up exhibition with 24 artists\, music\, and performance events called pLAyLAnd. Nationally and internationally\, Parks was part of LA Contraventions in Germany\, Cryptographics: a tribute to the Voynich Manuscript at the EXPO Chicago\, and designed sets and costumes for Cabaret Revoltaire: 100 Years of Dada\, a performance event at ArtShareLA. Parks has exhibited her work in Los Angeles at LA Artcore\, Far Bazaar\, Angels Gate Cultural Center\, L2Kontemporary\, Antebellum Gallery\, Beyond Baroque\, Ronald Silverman Gallery\, Cal State LA\, and Neo LA Gallery. \nChris Lanier wrote the exhibition essay\, which is available as a gallery handout and archived at ccainv.org. Lanier is an artist and critic who generally likes to mix things up – words and pictures\, video and performance\, design\, and art. He’s had work shown and published in the U.S.\, Mexico\, England\, Japan\, France\, Canada\, and Serbia – and has written for The Believer\, HiLobrow\, Furtherfield\, Rhizome\, the San Francisco Chronicle\, and the Comics Journal. He was awarded a Nevada Arts Council Literary Arts Fellowship in 2024 and served as Reno City Artist for 2024. He is a teaching professor of digital art at the University of Nevada\, Reno at Lake Tahoe (formerly Sierra Nevada College). \nApril Reyes\, a Western Nevada College Latino Leadership Academy student\, provided the Spanish translation of the show’s wall text. \nWestern Nevada College is a component of the Nevada System of Higher Education\, with campuses in Carson City\, Douglas County\, and Fallon. CCAI is an artist-centered nonprofit organization committed to community engagement in contemporary visual arts through exhibitions\, illustrated talks\, arts education programs\, artist residencies\, and online activities. \nThe Initiative is funded by the John and Grace Nauman Foundation\, Nevada Humanities and the National Endowment for the Humanities\, Nevada Arts Council and the National Endowment for the Arts\, Carson City Cultural Commission\, Kaplan Family Charitable Fund\, Southwest Gas Corporation Foundation\, Steele & Associates LLC\, and CCAI sponsors and members. \nFor additional information\, please visit CCAI’s website at www.ccainv.org.
URL:https://www.nvartscouncil.org/event/fables-and-myths/2025-05-28/
LOCATION:Bristlecone Gallery\, 2201 W. College Parkway\, Carson City\, NV\, 89703\, United States
CATEGORIES:Exhibit,Family Friendly,Reception,Visual
ATTACH;FMTTYPE=image/jpeg:https://www.nvartscouncil.org/wp-content/uploads/FM-sbs.jpg
ORGANIZER;CN="Capital City Arts Initiative":MAILTO:sharonrosse2001@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250527T080000
DTEND;TZID=America/Los_Angeles:20250527T170000
DTSTAMP:20260422T173139
CREATED:20250512T185321Z
LAST-MODIFIED:20250512T185321Z
UID:63164-1748332800-1748365200@www.nvartscouncil.org
SUMMARY:Fables and Myths
DESCRIPTION:Capital City Arts Initiative is delighted to present work by Sue Cotter and Elaine Parks in the Fable and Myths exhibit. The exhibition brings together their work as a conversation that reflects on cultural and biological remnants. \nCCAI’s exhibit will be in Western Nevada College’s Bristlecone Gallery\, 2201 W. College Parkway\, Carson City from May 14 – Sept. 10\, 2025. The gallery is open to the public\, Monday through Friday\, 8 a.m. – 5 p.m. The artists’ reception will take place on Wednesday\, May 14\, 5–6:30 p.m. \nCotter said that the show’s title superbly mirrors her fascination with fables\, myths\, and all genres of storytelling\, which grew naturally out of a childhood immersed in stories. She said\, “As my family moved from place to place\, a feeling of rootlessness also contributed to my love of disappearing into a story. Books and characters in books became my best friends. As I pursued visual art\, the idea of telling a story was always in my mind\, not illustration but something more open and suggestive\, letting viewers connect to their own narratives. In time\, this approach evolved into the topographic mythology and the bird-headed Thel series. \n“I have used topographic maps in my work since 1981\, when\, as a student at the University of Nevada-Reno\, I saw maps and diagrams in a friend’s geology textbook. I was mesmerized by the beauty of the layered colors and contour line patterns. I didn’t see them as geologic deposits or land elevations; I saw letter-forms and dialogues\, zoomorphic and anthropomorphic shapes; I saw mythological creatures with stories to tell. As earthbound beings looking up at wonders in the night sky\, people of many cultures tell mythological stories inspired by star constellations and planets.” \nParks’ work depicts a cross of desert succulents and marine corals that the Disney fantasies missed. She said about her work\, “I create organic hand-built ceramic objects of contemplation derived from my years of engagement with the desert landscape. In this series of ceramic sculptures\, I take into account my shifting perspectives of the vast landscape and the closely observed details of the desert. The making process involves very detailed manipulation of each piece to create highly realized forms with a timeless quality. In part\, the forms are invented during the process of making. I am fascinated when forms in nature seem to cross between categories. For instance\, many actual tufa formations resemble animal and human forms. In some of my pieces\, I focus on a surface rock texture\, with limbs that create an animated\, creaturely form. The textures of many of these pieces come from direct observation of the incredible variety of tufa rocks. I like to create forms that defy strict categorization\, allowing the viewer to spend time thinking about what a piece looks like to them and engaging with the form\, perhaps being reminded of time spent in nature. My goal is to bring to mind the vitality and spirit of the landscape.” \nCotter is a mixed-media artist\, letterpress printer\, and artist bookmaker. She began her art career as a painter\, but also loved to write. She found the perfect marriage of these two passions in the Artist Book genre. After earning her art degree (University of Nevada\, Reno\, 1983)\, she went on to study the historic techniques of letterpress printing and bookmaking with Bob Blesse at the University of Nevada\, Reno\, Black Rock Press (1988-90). She moved to southern Utah in 1990\, where she acquired equipment and established her own letterpress printing and paper-making studio. \nCotter has received grants and awards\, including a Utah Artist Fellowship and a New Forms Grant from the Andy Warhol Foundation. Her work is in numerous libraries’ Special Collections\, as well as museums and private collections. She teaches workshops\, exhibits extensively\, and continues to explore the limitless possibilities of the book form. She lives in Parowan\, Utah\, where she and fellow artist Spike Ress have built their home and studios. \nParks is a ceramicist and sculptor. A Los Angeles native\, she received her MFA from California State University\, Los Angeles. In 1999\, Parks moved from a town of 14 million to Tuscarora\, Nevada\, a town of 14 people. She currently divides her time between Reno and Tuscarora\, Nevada. In Nevada\, Elaine was recently commissioned to make a series of ceramic sculptures for Deep Time: Sea Dragons of Nevada for the Nevada Museum of Art in Reno. Her work has been exhibited at the Northwest Reno Library\, Nevada Museum of Art\, Oats Park Art Center\, Marjorie Barrick Museum\, Sierra Arts\, and the Holland Project. Parks taught art for seven years at Great Basin College in Elko and has received the Nevada Arts Council Fellowship Award twice. She serves a board member of Double Scoop Art\, an online visual arts journal. \nParks has participated three times in Telephone\, an international game of art\, whispered around the world. In 2010\, she curated and hosted a pop-up exhibition with 24 artists\, music\, and performance events called pLAyLAnd. Nationally and internationally\, Parks was part of LA Contraventions in Germany\, Cryptographics: a tribute to the Voynich Manuscript at the EXPO Chicago\, and designed sets and costumes for Cabaret Revoltaire: 100 Years of Dada\, a performance event at ArtShareLA. Parks has exhibited her work in Los Angeles at LA Artcore\, Far Bazaar\, Angels Gate Cultural Center\, L2Kontemporary\, Antebellum Gallery\, Beyond Baroque\, Ronald Silverman Gallery\, Cal State LA\, and Neo LA Gallery. \nChris Lanier wrote the exhibition essay\, which is available as a gallery handout and archived at ccainv.org. Lanier is an artist and critic who generally likes to mix things up – words and pictures\, video and performance\, design\, and art. He’s had work shown and published in the U.S.\, Mexico\, England\, Japan\, France\, Canada\, and Serbia – and has written for The Believer\, HiLobrow\, Furtherfield\, Rhizome\, the San Francisco Chronicle\, and the Comics Journal. He was awarded a Nevada Arts Council Literary Arts Fellowship in 2024 and served as Reno City Artist for 2024. He is a teaching professor of digital art at the University of Nevada\, Reno at Lake Tahoe (formerly Sierra Nevada College). \nApril Reyes\, a Western Nevada College Latino Leadership Academy student\, provided the Spanish translation of the show’s wall text. \nWestern Nevada College is a component of the Nevada System of Higher Education\, with campuses in Carson City\, Douglas County\, and Fallon. CCAI is an artist-centered nonprofit organization committed to community engagement in contemporary visual arts through exhibitions\, illustrated talks\, arts education programs\, artist residencies\, and online activities. \nThe Initiative is funded by the John and Grace Nauman Foundation\, Nevada Humanities and the National Endowment for the Humanities\, Nevada Arts Council and the National Endowment for the Arts\, Carson City Cultural Commission\, Kaplan Family Charitable Fund\, Southwest Gas Corporation Foundation\, Steele & Associates LLC\, and CCAI sponsors and members. \nFor additional information\, please visit CCAI’s website at www.ccainv.org.
URL:https://www.nvartscouncil.org/event/fables-and-myths/2025-05-27/
LOCATION:Bristlecone Gallery\, 2201 W. College Parkway\, Carson City\, NV\, 89703\, United States
CATEGORIES:Exhibit,Family Friendly,Reception,Visual
ATTACH;FMTTYPE=image/jpeg:https://www.nvartscouncil.org/wp-content/uploads/FM-sbs.jpg
ORGANIZER;CN="Capital City Arts Initiative":MAILTO:sharonrosse2001@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250526T080000
DTEND;TZID=America/Los_Angeles:20250526T170000
DTSTAMP:20260422T173139
CREATED:20250512T185321Z
LAST-MODIFIED:20250512T185321Z
UID:63163-1748246400-1748278800@www.nvartscouncil.org
SUMMARY:Fables and Myths
DESCRIPTION:Capital City Arts Initiative is delighted to present work by Sue Cotter and Elaine Parks in the Fable and Myths exhibit. The exhibition brings together their work as a conversation that reflects on cultural and biological remnants. \nCCAI’s exhibit will be in Western Nevada College’s Bristlecone Gallery\, 2201 W. College Parkway\, Carson City from May 14 – Sept. 10\, 2025. The gallery is open to the public\, Monday through Friday\, 8 a.m. – 5 p.m. The artists’ reception will take place on Wednesday\, May 14\, 5–6:30 p.m. \nCotter said that the show’s title superbly mirrors her fascination with fables\, myths\, and all genres of storytelling\, which grew naturally out of a childhood immersed in stories. She said\, “As my family moved from place to place\, a feeling of rootlessness also contributed to my love of disappearing into a story. Books and characters in books became my best friends. As I pursued visual art\, the idea of telling a story was always in my mind\, not illustration but something more open and suggestive\, letting viewers connect to their own narratives. In time\, this approach evolved into the topographic mythology and the bird-headed Thel series. \n“I have used topographic maps in my work since 1981\, when\, as a student at the University of Nevada-Reno\, I saw maps and diagrams in a friend’s geology textbook. I was mesmerized by the beauty of the layered colors and contour line patterns. I didn’t see them as geologic deposits or land elevations; I saw letter-forms and dialogues\, zoomorphic and anthropomorphic shapes; I saw mythological creatures with stories to tell. As earthbound beings looking up at wonders in the night sky\, people of many cultures tell mythological stories inspired by star constellations and planets.” \nParks’ work depicts a cross of desert succulents and marine corals that the Disney fantasies missed. She said about her work\, “I create organic hand-built ceramic objects of contemplation derived from my years of engagement with the desert landscape. In this series of ceramic sculptures\, I take into account my shifting perspectives of the vast landscape and the closely observed details of the desert. The making process involves very detailed manipulation of each piece to create highly realized forms with a timeless quality. In part\, the forms are invented during the process of making. I am fascinated when forms in nature seem to cross between categories. For instance\, many actual tufa formations resemble animal and human forms. In some of my pieces\, I focus on a surface rock texture\, with limbs that create an animated\, creaturely form. The textures of many of these pieces come from direct observation of the incredible variety of tufa rocks. I like to create forms that defy strict categorization\, allowing the viewer to spend time thinking about what a piece looks like to them and engaging with the form\, perhaps being reminded of time spent in nature. My goal is to bring to mind the vitality and spirit of the landscape.” \nCotter is a mixed-media artist\, letterpress printer\, and artist bookmaker. She began her art career as a painter\, but also loved to write. She found the perfect marriage of these two passions in the Artist Book genre. After earning her art degree (University of Nevada\, Reno\, 1983)\, she went on to study the historic techniques of letterpress printing and bookmaking with Bob Blesse at the University of Nevada\, Reno\, Black Rock Press (1988-90). She moved to southern Utah in 1990\, where she acquired equipment and established her own letterpress printing and paper-making studio. \nCotter has received grants and awards\, including a Utah Artist Fellowship and a New Forms Grant from the Andy Warhol Foundation. Her work is in numerous libraries’ Special Collections\, as well as museums and private collections. She teaches workshops\, exhibits extensively\, and continues to explore the limitless possibilities of the book form. She lives in Parowan\, Utah\, where she and fellow artist Spike Ress have built their home and studios. \nParks is a ceramicist and sculptor. A Los Angeles native\, she received her MFA from California State University\, Los Angeles. In 1999\, Parks moved from a town of 14 million to Tuscarora\, Nevada\, a town of 14 people. She currently divides her time between Reno and Tuscarora\, Nevada. In Nevada\, Elaine was recently commissioned to make a series of ceramic sculptures for Deep Time: Sea Dragons of Nevada for the Nevada Museum of Art in Reno. Her work has been exhibited at the Northwest Reno Library\, Nevada Museum of Art\, Oats Park Art Center\, Marjorie Barrick Museum\, Sierra Arts\, and the Holland Project. Parks taught art for seven years at Great Basin College in Elko and has received the Nevada Arts Council Fellowship Award twice. She serves a board member of Double Scoop Art\, an online visual arts journal. \nParks has participated three times in Telephone\, an international game of art\, whispered around the world. In 2010\, she curated and hosted a pop-up exhibition with 24 artists\, music\, and performance events called pLAyLAnd. Nationally and internationally\, Parks was part of LA Contraventions in Germany\, Cryptographics: a tribute to the Voynich Manuscript at the EXPO Chicago\, and designed sets and costumes for Cabaret Revoltaire: 100 Years of Dada\, a performance event at ArtShareLA. Parks has exhibited her work in Los Angeles at LA Artcore\, Far Bazaar\, Angels Gate Cultural Center\, L2Kontemporary\, Antebellum Gallery\, Beyond Baroque\, Ronald Silverman Gallery\, Cal State LA\, and Neo LA Gallery. \nChris Lanier wrote the exhibition essay\, which is available as a gallery handout and archived at ccainv.org. Lanier is an artist and critic who generally likes to mix things up – words and pictures\, video and performance\, design\, and art. He’s had work shown and published in the U.S.\, Mexico\, England\, Japan\, France\, Canada\, and Serbia – and has written for The Believer\, HiLobrow\, Furtherfield\, Rhizome\, the San Francisco Chronicle\, and the Comics Journal. He was awarded a Nevada Arts Council Literary Arts Fellowship in 2024 and served as Reno City Artist for 2024. He is a teaching professor of digital art at the University of Nevada\, Reno at Lake Tahoe (formerly Sierra Nevada College). \nApril Reyes\, a Western Nevada College Latino Leadership Academy student\, provided the Spanish translation of the show’s wall text. \nWestern Nevada College is a component of the Nevada System of Higher Education\, with campuses in Carson City\, Douglas County\, and Fallon. CCAI is an artist-centered nonprofit organization committed to community engagement in contemporary visual arts through exhibitions\, illustrated talks\, arts education programs\, artist residencies\, and online activities. \nThe Initiative is funded by the John and Grace Nauman Foundation\, Nevada Humanities and the National Endowment for the Humanities\, Nevada Arts Council and the National Endowment for the Arts\, Carson City Cultural Commission\, Kaplan Family Charitable Fund\, Southwest Gas Corporation Foundation\, Steele & Associates LLC\, and CCAI sponsors and members. \nFor additional information\, please visit CCAI’s website at www.ccainv.org.
URL:https://www.nvartscouncil.org/event/fables-and-myths/2025-05-26/
LOCATION:Bristlecone Gallery\, 2201 W. College Parkway\, Carson City\, NV\, 89703\, United States
CATEGORIES:Exhibit,Family Friendly,Reception,Visual
ATTACH;FMTTYPE=image/jpeg:https://www.nvartscouncil.org/wp-content/uploads/FM-sbs.jpg
ORGANIZER;CN="Capital City Arts Initiative":MAILTO:sharonrosse2001@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250523T080000
DTEND;TZID=America/Los_Angeles:20250523T170000
DTSTAMP:20260422T173139
CREATED:20250512T185321Z
LAST-MODIFIED:20250512T185321Z
UID:63162-1747987200-1748019600@www.nvartscouncil.org
SUMMARY:Fables and Myths
DESCRIPTION:Capital City Arts Initiative is delighted to present work by Sue Cotter and Elaine Parks in the Fable and Myths exhibit. The exhibition brings together their work as a conversation that reflects on cultural and biological remnants. \nCCAI’s exhibit will be in Western Nevada College’s Bristlecone Gallery\, 2201 W. College Parkway\, Carson City from May 14 – Sept. 10\, 2025. The gallery is open to the public\, Monday through Friday\, 8 a.m. – 5 p.m. The artists’ reception will take place on Wednesday\, May 14\, 5–6:30 p.m. \nCotter said that the show’s title superbly mirrors her fascination with fables\, myths\, and all genres of storytelling\, which grew naturally out of a childhood immersed in stories. She said\, “As my family moved from place to place\, a feeling of rootlessness also contributed to my love of disappearing into a story. Books and characters in books became my best friends. As I pursued visual art\, the idea of telling a story was always in my mind\, not illustration but something more open and suggestive\, letting viewers connect to their own narratives. In time\, this approach evolved into the topographic mythology and the bird-headed Thel series. \n“I have used topographic maps in my work since 1981\, when\, as a student at the University of Nevada-Reno\, I saw maps and diagrams in a friend’s geology textbook. I was mesmerized by the beauty of the layered colors and contour line patterns. I didn’t see them as geologic deposits or land elevations; I saw letter-forms and dialogues\, zoomorphic and anthropomorphic shapes; I saw mythological creatures with stories to tell. As earthbound beings looking up at wonders in the night sky\, people of many cultures tell mythological stories inspired by star constellations and planets.” \nParks’ work depicts a cross of desert succulents and marine corals that the Disney fantasies missed. She said about her work\, “I create organic hand-built ceramic objects of contemplation derived from my years of engagement with the desert landscape. In this series of ceramic sculptures\, I take into account my shifting perspectives of the vast landscape and the closely observed details of the desert. The making process involves very detailed manipulation of each piece to create highly realized forms with a timeless quality. In part\, the forms are invented during the process of making. I am fascinated when forms in nature seem to cross between categories. For instance\, many actual tufa formations resemble animal and human forms. In some of my pieces\, I focus on a surface rock texture\, with limbs that create an animated\, creaturely form. The textures of many of these pieces come from direct observation of the incredible variety of tufa rocks. I like to create forms that defy strict categorization\, allowing the viewer to spend time thinking about what a piece looks like to them and engaging with the form\, perhaps being reminded of time spent in nature. My goal is to bring to mind the vitality and spirit of the landscape.” \nCotter is a mixed-media artist\, letterpress printer\, and artist bookmaker. She began her art career as a painter\, but also loved to write. She found the perfect marriage of these two passions in the Artist Book genre. After earning her art degree (University of Nevada\, Reno\, 1983)\, she went on to study the historic techniques of letterpress printing and bookmaking with Bob Blesse at the University of Nevada\, Reno\, Black Rock Press (1988-90). She moved to southern Utah in 1990\, where she acquired equipment and established her own letterpress printing and paper-making studio. \nCotter has received grants and awards\, including a Utah Artist Fellowship and a New Forms Grant from the Andy Warhol Foundation. Her work is in numerous libraries’ Special Collections\, as well as museums and private collections. She teaches workshops\, exhibits extensively\, and continues to explore the limitless possibilities of the book form. She lives in Parowan\, Utah\, where she and fellow artist Spike Ress have built their home and studios. \nParks is a ceramicist and sculptor. A Los Angeles native\, she received her MFA from California State University\, Los Angeles. In 1999\, Parks moved from a town of 14 million to Tuscarora\, Nevada\, a town of 14 people. She currently divides her time between Reno and Tuscarora\, Nevada. In Nevada\, Elaine was recently commissioned to make a series of ceramic sculptures for Deep Time: Sea Dragons of Nevada for the Nevada Museum of Art in Reno. Her work has been exhibited at the Northwest Reno Library\, Nevada Museum of Art\, Oats Park Art Center\, Marjorie Barrick Museum\, Sierra Arts\, and the Holland Project. Parks taught art for seven years at Great Basin College in Elko and has received the Nevada Arts Council Fellowship Award twice. She serves a board member of Double Scoop Art\, an online visual arts journal. \nParks has participated three times in Telephone\, an international game of art\, whispered around the world. In 2010\, she curated and hosted a pop-up exhibition with 24 artists\, music\, and performance events called pLAyLAnd. Nationally and internationally\, Parks was part of LA Contraventions in Germany\, Cryptographics: a tribute to the Voynich Manuscript at the EXPO Chicago\, and designed sets and costumes for Cabaret Revoltaire: 100 Years of Dada\, a performance event at ArtShareLA. Parks has exhibited her work in Los Angeles at LA Artcore\, Far Bazaar\, Angels Gate Cultural Center\, L2Kontemporary\, Antebellum Gallery\, Beyond Baroque\, Ronald Silverman Gallery\, Cal State LA\, and Neo LA Gallery. \nChris Lanier wrote the exhibition essay\, which is available as a gallery handout and archived at ccainv.org. Lanier is an artist and critic who generally likes to mix things up – words and pictures\, video and performance\, design\, and art. He’s had work shown and published in the U.S.\, Mexico\, England\, Japan\, France\, Canada\, and Serbia – and has written for The Believer\, HiLobrow\, Furtherfield\, Rhizome\, the San Francisco Chronicle\, and the Comics Journal. He was awarded a Nevada Arts Council Literary Arts Fellowship in 2024 and served as Reno City Artist for 2024. He is a teaching professor of digital art at the University of Nevada\, Reno at Lake Tahoe (formerly Sierra Nevada College). \nApril Reyes\, a Western Nevada College Latino Leadership Academy student\, provided the Spanish translation of the show’s wall text. \nWestern Nevada College is a component of the Nevada System of Higher Education\, with campuses in Carson City\, Douglas County\, and Fallon. CCAI is an artist-centered nonprofit organization committed to community engagement in contemporary visual arts through exhibitions\, illustrated talks\, arts education programs\, artist residencies\, and online activities. \nThe Initiative is funded by the John and Grace Nauman Foundation\, Nevada Humanities and the National Endowment for the Humanities\, Nevada Arts Council and the National Endowment for the Arts\, Carson City Cultural Commission\, Kaplan Family Charitable Fund\, Southwest Gas Corporation Foundation\, Steele & Associates LLC\, and CCAI sponsors and members. \nFor additional information\, please visit CCAI’s website at www.ccainv.org.
URL:https://www.nvartscouncil.org/event/fables-and-myths/2025-05-23/
LOCATION:Bristlecone Gallery\, 2201 W. College Parkway\, Carson City\, NV\, 89703\, United States
CATEGORIES:Exhibit,Family Friendly,Reception,Visual
ATTACH;FMTTYPE=image/jpeg:https://www.nvartscouncil.org/wp-content/uploads/FM-sbs.jpg
ORGANIZER;CN="Capital City Arts Initiative":MAILTO:sharonrosse2001@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250522T080000
DTEND;TZID=America/Los_Angeles:20250522T170000
DTSTAMP:20260422T173139
CREATED:20250512T185321Z
LAST-MODIFIED:20250512T185321Z
UID:63161-1747900800-1747933200@www.nvartscouncil.org
SUMMARY:Fables and Myths
DESCRIPTION:Capital City Arts Initiative is delighted to present work by Sue Cotter and Elaine Parks in the Fable and Myths exhibit. The exhibition brings together their work as a conversation that reflects on cultural and biological remnants. \nCCAI’s exhibit will be in Western Nevada College’s Bristlecone Gallery\, 2201 W. College Parkway\, Carson City from May 14 – Sept. 10\, 2025. The gallery is open to the public\, Monday through Friday\, 8 a.m. – 5 p.m. The artists’ reception will take place on Wednesday\, May 14\, 5–6:30 p.m. \nCotter said that the show’s title superbly mirrors her fascination with fables\, myths\, and all genres of storytelling\, which grew naturally out of a childhood immersed in stories. She said\, “As my family moved from place to place\, a feeling of rootlessness also contributed to my love of disappearing into a story. Books and characters in books became my best friends. As I pursued visual art\, the idea of telling a story was always in my mind\, not illustration but something more open and suggestive\, letting viewers connect to their own narratives. In time\, this approach evolved into the topographic mythology and the bird-headed Thel series. \n“I have used topographic maps in my work since 1981\, when\, as a student at the University of Nevada-Reno\, I saw maps and diagrams in a friend’s geology textbook. I was mesmerized by the beauty of the layered colors and contour line patterns. I didn’t see them as geologic deposits or land elevations; I saw letter-forms and dialogues\, zoomorphic and anthropomorphic shapes; I saw mythological creatures with stories to tell. As earthbound beings looking up at wonders in the night sky\, people of many cultures tell mythological stories inspired by star constellations and planets.” \nParks’ work depicts a cross of desert succulents and marine corals that the Disney fantasies missed. She said about her work\, “I create organic hand-built ceramic objects of contemplation derived from my years of engagement with the desert landscape. In this series of ceramic sculptures\, I take into account my shifting perspectives of the vast landscape and the closely observed details of the desert. The making process involves very detailed manipulation of each piece to create highly realized forms with a timeless quality. In part\, the forms are invented during the process of making. I am fascinated when forms in nature seem to cross between categories. For instance\, many actual tufa formations resemble animal and human forms. In some of my pieces\, I focus on a surface rock texture\, with limbs that create an animated\, creaturely form. The textures of many of these pieces come from direct observation of the incredible variety of tufa rocks. I like to create forms that defy strict categorization\, allowing the viewer to spend time thinking about what a piece looks like to them and engaging with the form\, perhaps being reminded of time spent in nature. My goal is to bring to mind the vitality and spirit of the landscape.” \nCotter is a mixed-media artist\, letterpress printer\, and artist bookmaker. She began her art career as a painter\, but also loved to write. She found the perfect marriage of these two passions in the Artist Book genre. After earning her art degree (University of Nevada\, Reno\, 1983)\, she went on to study the historic techniques of letterpress printing and bookmaking with Bob Blesse at the University of Nevada\, Reno\, Black Rock Press (1988-90). She moved to southern Utah in 1990\, where she acquired equipment and established her own letterpress printing and paper-making studio. \nCotter has received grants and awards\, including a Utah Artist Fellowship and a New Forms Grant from the Andy Warhol Foundation. Her work is in numerous libraries’ Special Collections\, as well as museums and private collections. She teaches workshops\, exhibits extensively\, and continues to explore the limitless possibilities of the book form. She lives in Parowan\, Utah\, where she and fellow artist Spike Ress have built their home and studios. \nParks is a ceramicist and sculptor. A Los Angeles native\, she received her MFA from California State University\, Los Angeles. In 1999\, Parks moved from a town of 14 million to Tuscarora\, Nevada\, a town of 14 people. She currently divides her time between Reno and Tuscarora\, Nevada. In Nevada\, Elaine was recently commissioned to make a series of ceramic sculptures for Deep Time: Sea Dragons of Nevada for the Nevada Museum of Art in Reno. Her work has been exhibited at the Northwest Reno Library\, Nevada Museum of Art\, Oats Park Art Center\, Marjorie Barrick Museum\, Sierra Arts\, and the Holland Project. Parks taught art for seven years at Great Basin College in Elko and has received the Nevada Arts Council Fellowship Award twice. She serves a board member of Double Scoop Art\, an online visual arts journal. \nParks has participated three times in Telephone\, an international game of art\, whispered around the world. In 2010\, she curated and hosted a pop-up exhibition with 24 artists\, music\, and performance events called pLAyLAnd. Nationally and internationally\, Parks was part of LA Contraventions in Germany\, Cryptographics: a tribute to the Voynich Manuscript at the EXPO Chicago\, and designed sets and costumes for Cabaret Revoltaire: 100 Years of Dada\, a performance event at ArtShareLA. Parks has exhibited her work in Los Angeles at LA Artcore\, Far Bazaar\, Angels Gate Cultural Center\, L2Kontemporary\, Antebellum Gallery\, Beyond Baroque\, Ronald Silverman Gallery\, Cal State LA\, and Neo LA Gallery. \nChris Lanier wrote the exhibition essay\, which is available as a gallery handout and archived at ccainv.org. Lanier is an artist and critic who generally likes to mix things up – words and pictures\, video and performance\, design\, and art. He’s had work shown and published in the U.S.\, Mexico\, England\, Japan\, France\, Canada\, and Serbia – and has written for The Believer\, HiLobrow\, Furtherfield\, Rhizome\, the San Francisco Chronicle\, and the Comics Journal. He was awarded a Nevada Arts Council Literary Arts Fellowship in 2024 and served as Reno City Artist for 2024. He is a teaching professor of digital art at the University of Nevada\, Reno at Lake Tahoe (formerly Sierra Nevada College). \nApril Reyes\, a Western Nevada College Latino Leadership Academy student\, provided the Spanish translation of the show’s wall text. \nWestern Nevada College is a component of the Nevada System of Higher Education\, with campuses in Carson City\, Douglas County\, and Fallon. CCAI is an artist-centered nonprofit organization committed to community engagement in contemporary visual arts through exhibitions\, illustrated talks\, arts education programs\, artist residencies\, and online activities. \nThe Initiative is funded by the John and Grace Nauman Foundation\, Nevada Humanities and the National Endowment for the Humanities\, Nevada Arts Council and the National Endowment for the Arts\, Carson City Cultural Commission\, Kaplan Family Charitable Fund\, Southwest Gas Corporation Foundation\, Steele & Associates LLC\, and CCAI sponsors and members. \nFor additional information\, please visit CCAI’s website at www.ccainv.org.
URL:https://www.nvartscouncil.org/event/fables-and-myths/2025-05-22/
LOCATION:Bristlecone Gallery\, 2201 W. College Parkway\, Carson City\, NV\, 89703\, United States
CATEGORIES:Exhibit,Family Friendly,Reception,Visual
ATTACH;FMTTYPE=image/jpeg:https://www.nvartscouncil.org/wp-content/uploads/FM-sbs.jpg
ORGANIZER;CN="Capital City Arts Initiative":MAILTO:sharonrosse2001@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250521T080000
DTEND;TZID=America/Los_Angeles:20250521T170000
DTSTAMP:20260422T173139
CREATED:20250512T185321Z
LAST-MODIFIED:20250512T185321Z
UID:63160-1747814400-1747846800@www.nvartscouncil.org
SUMMARY:Fables and Myths
DESCRIPTION:Capital City Arts Initiative is delighted to present work by Sue Cotter and Elaine Parks in the Fable and Myths exhibit. The exhibition brings together their work as a conversation that reflects on cultural and biological remnants. \nCCAI’s exhibit will be in Western Nevada College’s Bristlecone Gallery\, 2201 W. College Parkway\, Carson City from May 14 – Sept. 10\, 2025. The gallery is open to the public\, Monday through Friday\, 8 a.m. – 5 p.m. The artists’ reception will take place on Wednesday\, May 14\, 5–6:30 p.m. \nCotter said that the show’s title superbly mirrors her fascination with fables\, myths\, and all genres of storytelling\, which grew naturally out of a childhood immersed in stories. She said\, “As my family moved from place to place\, a feeling of rootlessness also contributed to my love of disappearing into a story. Books and characters in books became my best friends. As I pursued visual art\, the idea of telling a story was always in my mind\, not illustration but something more open and suggestive\, letting viewers connect to their own narratives. In time\, this approach evolved into the topographic mythology and the bird-headed Thel series. \n“I have used topographic maps in my work since 1981\, when\, as a student at the University of Nevada-Reno\, I saw maps and diagrams in a friend’s geology textbook. I was mesmerized by the beauty of the layered colors and contour line patterns. I didn’t see them as geologic deposits or land elevations; I saw letter-forms and dialogues\, zoomorphic and anthropomorphic shapes; I saw mythological creatures with stories to tell. As earthbound beings looking up at wonders in the night sky\, people of many cultures tell mythological stories inspired by star constellations and planets.” \nParks’ work depicts a cross of desert succulents and marine corals that the Disney fantasies missed. She said about her work\, “I create organic hand-built ceramic objects of contemplation derived from my years of engagement with the desert landscape. In this series of ceramic sculptures\, I take into account my shifting perspectives of the vast landscape and the closely observed details of the desert. The making process involves very detailed manipulation of each piece to create highly realized forms with a timeless quality. In part\, the forms are invented during the process of making. I am fascinated when forms in nature seem to cross between categories. For instance\, many actual tufa formations resemble animal and human forms. In some of my pieces\, I focus on a surface rock texture\, with limbs that create an animated\, creaturely form. The textures of many of these pieces come from direct observation of the incredible variety of tufa rocks. I like to create forms that defy strict categorization\, allowing the viewer to spend time thinking about what a piece looks like to them and engaging with the form\, perhaps being reminded of time spent in nature. My goal is to bring to mind the vitality and spirit of the landscape.” \nCotter is a mixed-media artist\, letterpress printer\, and artist bookmaker. She began her art career as a painter\, but also loved to write. She found the perfect marriage of these two passions in the Artist Book genre. After earning her art degree (University of Nevada\, Reno\, 1983)\, she went on to study the historic techniques of letterpress printing and bookmaking with Bob Blesse at the University of Nevada\, Reno\, Black Rock Press (1988-90). She moved to southern Utah in 1990\, where she acquired equipment and established her own letterpress printing and paper-making studio. \nCotter has received grants and awards\, including a Utah Artist Fellowship and a New Forms Grant from the Andy Warhol Foundation. Her work is in numerous libraries’ Special Collections\, as well as museums and private collections. She teaches workshops\, exhibits extensively\, and continues to explore the limitless possibilities of the book form. She lives in Parowan\, Utah\, where she and fellow artist Spike Ress have built their home and studios. \nParks is a ceramicist and sculptor. A Los Angeles native\, she received her MFA from California State University\, Los Angeles. In 1999\, Parks moved from a town of 14 million to Tuscarora\, Nevada\, a town of 14 people. She currently divides her time between Reno and Tuscarora\, Nevada. In Nevada\, Elaine was recently commissioned to make a series of ceramic sculptures for Deep Time: Sea Dragons of Nevada for the Nevada Museum of Art in Reno. Her work has been exhibited at the Northwest Reno Library\, Nevada Museum of Art\, Oats Park Art Center\, Marjorie Barrick Museum\, Sierra Arts\, and the Holland Project. Parks taught art for seven years at Great Basin College in Elko and has received the Nevada Arts Council Fellowship Award twice. She serves a board member of Double Scoop Art\, an online visual arts journal. \nParks has participated three times in Telephone\, an international game of art\, whispered around the world. In 2010\, she curated and hosted a pop-up exhibition with 24 artists\, music\, and performance events called pLAyLAnd. Nationally and internationally\, Parks was part of LA Contraventions in Germany\, Cryptographics: a tribute to the Voynich Manuscript at the EXPO Chicago\, and designed sets and costumes for Cabaret Revoltaire: 100 Years of Dada\, a performance event at ArtShareLA. Parks has exhibited her work in Los Angeles at LA Artcore\, Far Bazaar\, Angels Gate Cultural Center\, L2Kontemporary\, Antebellum Gallery\, Beyond Baroque\, Ronald Silverman Gallery\, Cal State LA\, and Neo LA Gallery. \nChris Lanier wrote the exhibition essay\, which is available as a gallery handout and archived at ccainv.org. Lanier is an artist and critic who generally likes to mix things up – words and pictures\, video and performance\, design\, and art. He’s had work shown and published in the U.S.\, Mexico\, England\, Japan\, France\, Canada\, and Serbia – and has written for The Believer\, HiLobrow\, Furtherfield\, Rhizome\, the San Francisco Chronicle\, and the Comics Journal. He was awarded a Nevada Arts Council Literary Arts Fellowship in 2024 and served as Reno City Artist for 2024. He is a teaching professor of digital art at the University of Nevada\, Reno at Lake Tahoe (formerly Sierra Nevada College). \nApril Reyes\, a Western Nevada College Latino Leadership Academy student\, provided the Spanish translation of the show’s wall text. \nWestern Nevada College is a component of the Nevada System of Higher Education\, with campuses in Carson City\, Douglas County\, and Fallon. CCAI is an artist-centered nonprofit organization committed to community engagement in contemporary visual arts through exhibitions\, illustrated talks\, arts education programs\, artist residencies\, and online activities. \nThe Initiative is funded by the John and Grace Nauman Foundation\, Nevada Humanities and the National Endowment for the Humanities\, Nevada Arts Council and the National Endowment for the Arts\, Carson City Cultural Commission\, Kaplan Family Charitable Fund\, Southwest Gas Corporation Foundation\, Steele & Associates LLC\, and CCAI sponsors and members. \nFor additional information\, please visit CCAI’s website at www.ccainv.org.
URL:https://www.nvartscouncil.org/event/fables-and-myths/2025-05-21/
LOCATION:Bristlecone Gallery\, 2201 W. College Parkway\, Carson City\, NV\, 89703\, United States
CATEGORIES:Exhibit,Family Friendly,Reception,Visual
ATTACH;FMTTYPE=image/jpeg:https://www.nvartscouncil.org/wp-content/uploads/FM-sbs.jpg
ORGANIZER;CN="Capital City Arts Initiative":MAILTO:sharonrosse2001@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250520T080000
DTEND;TZID=America/Los_Angeles:20250520T170000
DTSTAMP:20260422T173139
CREATED:20250512T185321Z
LAST-MODIFIED:20250512T185321Z
UID:63159-1747728000-1747760400@www.nvartscouncil.org
SUMMARY:Fables and Myths
DESCRIPTION:Capital City Arts Initiative is delighted to present work by Sue Cotter and Elaine Parks in the Fable and Myths exhibit. The exhibition brings together their work as a conversation that reflects on cultural and biological remnants. \nCCAI’s exhibit will be in Western Nevada College’s Bristlecone Gallery\, 2201 W. College Parkway\, Carson City from May 14 – Sept. 10\, 2025. The gallery is open to the public\, Monday through Friday\, 8 a.m. – 5 p.m. The artists’ reception will take place on Wednesday\, May 14\, 5–6:30 p.m. \nCotter said that the show’s title superbly mirrors her fascination with fables\, myths\, and all genres of storytelling\, which grew naturally out of a childhood immersed in stories. She said\, “As my family moved from place to place\, a feeling of rootlessness also contributed to my love of disappearing into a story. Books and characters in books became my best friends. As I pursued visual art\, the idea of telling a story was always in my mind\, not illustration but something more open and suggestive\, letting viewers connect to their own narratives. In time\, this approach evolved into the topographic mythology and the bird-headed Thel series. \n“I have used topographic maps in my work since 1981\, when\, as a student at the University of Nevada-Reno\, I saw maps and diagrams in a friend’s geology textbook. I was mesmerized by the beauty of the layered colors and contour line patterns. I didn’t see them as geologic deposits or land elevations; I saw letter-forms and dialogues\, zoomorphic and anthropomorphic shapes; I saw mythological creatures with stories to tell. As earthbound beings looking up at wonders in the night sky\, people of many cultures tell mythological stories inspired by star constellations and planets.” \nParks’ work depicts a cross of desert succulents and marine corals that the Disney fantasies missed. She said about her work\, “I create organic hand-built ceramic objects of contemplation derived from my years of engagement with the desert landscape. In this series of ceramic sculptures\, I take into account my shifting perspectives of the vast landscape and the closely observed details of the desert. The making process involves very detailed manipulation of each piece to create highly realized forms with a timeless quality. In part\, the forms are invented during the process of making. I am fascinated when forms in nature seem to cross between categories. For instance\, many actual tufa formations resemble animal and human forms. In some of my pieces\, I focus on a surface rock texture\, with limbs that create an animated\, creaturely form. The textures of many of these pieces come from direct observation of the incredible variety of tufa rocks. I like to create forms that defy strict categorization\, allowing the viewer to spend time thinking about what a piece looks like to them and engaging with the form\, perhaps being reminded of time spent in nature. My goal is to bring to mind the vitality and spirit of the landscape.” \nCotter is a mixed-media artist\, letterpress printer\, and artist bookmaker. She began her art career as a painter\, but also loved to write. She found the perfect marriage of these two passions in the Artist Book genre. After earning her art degree (University of Nevada\, Reno\, 1983)\, she went on to study the historic techniques of letterpress printing and bookmaking with Bob Blesse at the University of Nevada\, Reno\, Black Rock Press (1988-90). She moved to southern Utah in 1990\, where she acquired equipment and established her own letterpress printing and paper-making studio. \nCotter has received grants and awards\, including a Utah Artist Fellowship and a New Forms Grant from the Andy Warhol Foundation. Her work is in numerous libraries’ Special Collections\, as well as museums and private collections. She teaches workshops\, exhibits extensively\, and continues to explore the limitless possibilities of the book form. She lives in Parowan\, Utah\, where she and fellow artist Spike Ress have built their home and studios. \nParks is a ceramicist and sculptor. A Los Angeles native\, she received her MFA from California State University\, Los Angeles. In 1999\, Parks moved from a town of 14 million to Tuscarora\, Nevada\, a town of 14 people. She currently divides her time between Reno and Tuscarora\, Nevada. In Nevada\, Elaine was recently commissioned to make a series of ceramic sculptures for Deep Time: Sea Dragons of Nevada for the Nevada Museum of Art in Reno. Her work has been exhibited at the Northwest Reno Library\, Nevada Museum of Art\, Oats Park Art Center\, Marjorie Barrick Museum\, Sierra Arts\, and the Holland Project. Parks taught art for seven years at Great Basin College in Elko and has received the Nevada Arts Council Fellowship Award twice. She serves a board member of Double Scoop Art\, an online visual arts journal. \nParks has participated three times in Telephone\, an international game of art\, whispered around the world. In 2010\, she curated and hosted a pop-up exhibition with 24 artists\, music\, and performance events called pLAyLAnd. Nationally and internationally\, Parks was part of LA Contraventions in Germany\, Cryptographics: a tribute to the Voynich Manuscript at the EXPO Chicago\, and designed sets and costumes for Cabaret Revoltaire: 100 Years of Dada\, a performance event at ArtShareLA. Parks has exhibited her work in Los Angeles at LA Artcore\, Far Bazaar\, Angels Gate Cultural Center\, L2Kontemporary\, Antebellum Gallery\, Beyond Baroque\, Ronald Silverman Gallery\, Cal State LA\, and Neo LA Gallery. \nChris Lanier wrote the exhibition essay\, which is available as a gallery handout and archived at ccainv.org. Lanier is an artist and critic who generally likes to mix things up – words and pictures\, video and performance\, design\, and art. He’s had work shown and published in the U.S.\, Mexico\, England\, Japan\, France\, Canada\, and Serbia – and has written for The Believer\, HiLobrow\, Furtherfield\, Rhizome\, the San Francisco Chronicle\, and the Comics Journal. He was awarded a Nevada Arts Council Literary Arts Fellowship in 2024 and served as Reno City Artist for 2024. He is a teaching professor of digital art at the University of Nevada\, Reno at Lake Tahoe (formerly Sierra Nevada College). \nApril Reyes\, a Western Nevada College Latino Leadership Academy student\, provided the Spanish translation of the show’s wall text. \nWestern Nevada College is a component of the Nevada System of Higher Education\, with campuses in Carson City\, Douglas County\, and Fallon. CCAI is an artist-centered nonprofit organization committed to community engagement in contemporary visual arts through exhibitions\, illustrated talks\, arts education programs\, artist residencies\, and online activities. \nThe Initiative is funded by the John and Grace Nauman Foundation\, Nevada Humanities and the National Endowment for the Humanities\, Nevada Arts Council and the National Endowment for the Arts\, Carson City Cultural Commission\, Kaplan Family Charitable Fund\, Southwest Gas Corporation Foundation\, Steele & Associates LLC\, and CCAI sponsors and members. \nFor additional information\, please visit CCAI’s website at www.ccainv.org.
URL:https://www.nvartscouncil.org/event/fables-and-myths/2025-05-20/
LOCATION:Bristlecone Gallery\, 2201 W. College Parkway\, Carson City\, NV\, 89703\, United States
CATEGORIES:Exhibit,Family Friendly,Reception,Visual
ATTACH;FMTTYPE=image/jpeg:https://www.nvartscouncil.org/wp-content/uploads/FM-sbs.jpg
ORGANIZER;CN="Capital City Arts Initiative":MAILTO:sharonrosse2001@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250519T080000
DTEND;TZID=America/Los_Angeles:20250519T170000
DTSTAMP:20260422T173139
CREATED:20250512T185321Z
LAST-MODIFIED:20250512T185321Z
UID:63158-1747641600-1747674000@www.nvartscouncil.org
SUMMARY:Fables and Myths
DESCRIPTION:Capital City Arts Initiative is delighted to present work by Sue Cotter and Elaine Parks in the Fable and Myths exhibit. The exhibition brings together their work as a conversation that reflects on cultural and biological remnants. \nCCAI’s exhibit will be in Western Nevada College’s Bristlecone Gallery\, 2201 W. College Parkway\, Carson City from May 14 – Sept. 10\, 2025. The gallery is open to the public\, Monday through Friday\, 8 a.m. – 5 p.m. The artists’ reception will take place on Wednesday\, May 14\, 5–6:30 p.m. \nCotter said that the show’s title superbly mirrors her fascination with fables\, myths\, and all genres of storytelling\, which grew naturally out of a childhood immersed in stories. She said\, “As my family moved from place to place\, a feeling of rootlessness also contributed to my love of disappearing into a story. Books and characters in books became my best friends. As I pursued visual art\, the idea of telling a story was always in my mind\, not illustration but something more open and suggestive\, letting viewers connect to their own narratives. In time\, this approach evolved into the topographic mythology and the bird-headed Thel series. \n“I have used topographic maps in my work since 1981\, when\, as a student at the University of Nevada-Reno\, I saw maps and diagrams in a friend’s geology textbook. I was mesmerized by the beauty of the layered colors and contour line patterns. I didn’t see them as geologic deposits or land elevations; I saw letter-forms and dialogues\, zoomorphic and anthropomorphic shapes; I saw mythological creatures with stories to tell. As earthbound beings looking up at wonders in the night sky\, people of many cultures tell mythological stories inspired by star constellations and planets.” \nParks’ work depicts a cross of desert succulents and marine corals that the Disney fantasies missed. She said about her work\, “I create organic hand-built ceramic objects of contemplation derived from my years of engagement with the desert landscape. In this series of ceramic sculptures\, I take into account my shifting perspectives of the vast landscape and the closely observed details of the desert. The making process involves very detailed manipulation of each piece to create highly realized forms with a timeless quality. In part\, the forms are invented during the process of making. I am fascinated when forms in nature seem to cross between categories. For instance\, many actual tufa formations resemble animal and human forms. In some of my pieces\, I focus on a surface rock texture\, with limbs that create an animated\, creaturely form. The textures of many of these pieces come from direct observation of the incredible variety of tufa rocks. I like to create forms that defy strict categorization\, allowing the viewer to spend time thinking about what a piece looks like to them and engaging with the form\, perhaps being reminded of time spent in nature. My goal is to bring to mind the vitality and spirit of the landscape.” \nCotter is a mixed-media artist\, letterpress printer\, and artist bookmaker. She began her art career as a painter\, but also loved to write. She found the perfect marriage of these two passions in the Artist Book genre. After earning her art degree (University of Nevada\, Reno\, 1983)\, she went on to study the historic techniques of letterpress printing and bookmaking with Bob Blesse at the University of Nevada\, Reno\, Black Rock Press (1988-90). She moved to southern Utah in 1990\, where she acquired equipment and established her own letterpress printing and paper-making studio. \nCotter has received grants and awards\, including a Utah Artist Fellowship and a New Forms Grant from the Andy Warhol Foundation. Her work is in numerous libraries’ Special Collections\, as well as museums and private collections. She teaches workshops\, exhibits extensively\, and continues to explore the limitless possibilities of the book form. She lives in Parowan\, Utah\, where she and fellow artist Spike Ress have built their home and studios. \nParks is a ceramicist and sculptor. A Los Angeles native\, she received her MFA from California State University\, Los Angeles. In 1999\, Parks moved from a town of 14 million to Tuscarora\, Nevada\, a town of 14 people. She currently divides her time between Reno and Tuscarora\, Nevada. In Nevada\, Elaine was recently commissioned to make a series of ceramic sculptures for Deep Time: Sea Dragons of Nevada for the Nevada Museum of Art in Reno. Her work has been exhibited at the Northwest Reno Library\, Nevada Museum of Art\, Oats Park Art Center\, Marjorie Barrick Museum\, Sierra Arts\, and the Holland Project. Parks taught art for seven years at Great Basin College in Elko and has received the Nevada Arts Council Fellowship Award twice. She serves a board member of Double Scoop Art\, an online visual arts journal. \nParks has participated three times in Telephone\, an international game of art\, whispered around the world. In 2010\, she curated and hosted a pop-up exhibition with 24 artists\, music\, and performance events called pLAyLAnd. Nationally and internationally\, Parks was part of LA Contraventions in Germany\, Cryptographics: a tribute to the Voynich Manuscript at the EXPO Chicago\, and designed sets and costumes for Cabaret Revoltaire: 100 Years of Dada\, a performance event at ArtShareLA. Parks has exhibited her work in Los Angeles at LA Artcore\, Far Bazaar\, Angels Gate Cultural Center\, L2Kontemporary\, Antebellum Gallery\, Beyond Baroque\, Ronald Silverman Gallery\, Cal State LA\, and Neo LA Gallery. \nChris Lanier wrote the exhibition essay\, which is available as a gallery handout and archived at ccainv.org. Lanier is an artist and critic who generally likes to mix things up – words and pictures\, video and performance\, design\, and art. He’s had work shown and published in the U.S.\, Mexico\, England\, Japan\, France\, Canada\, and Serbia – and has written for The Believer\, HiLobrow\, Furtherfield\, Rhizome\, the San Francisco Chronicle\, and the Comics Journal. He was awarded a Nevada Arts Council Literary Arts Fellowship in 2024 and served as Reno City Artist for 2024. He is a teaching professor of digital art at the University of Nevada\, Reno at Lake Tahoe (formerly Sierra Nevada College). \nApril Reyes\, a Western Nevada College Latino Leadership Academy student\, provided the Spanish translation of the show’s wall text. \nWestern Nevada College is a component of the Nevada System of Higher Education\, with campuses in Carson City\, Douglas County\, and Fallon. CCAI is an artist-centered nonprofit organization committed to community engagement in contemporary visual arts through exhibitions\, illustrated talks\, arts education programs\, artist residencies\, and online activities. \nThe Initiative is funded by the John and Grace Nauman Foundation\, Nevada Humanities and the National Endowment for the Humanities\, Nevada Arts Council and the National Endowment for the Arts\, Carson City Cultural Commission\, Kaplan Family Charitable Fund\, Southwest Gas Corporation Foundation\, Steele & Associates LLC\, and CCAI sponsors and members. \nFor additional information\, please visit CCAI’s website at www.ccainv.org.
URL:https://www.nvartscouncil.org/event/fables-and-myths/2025-05-19/
LOCATION:Bristlecone Gallery\, 2201 W. College Parkway\, Carson City\, NV\, 89703\, United States
CATEGORIES:Exhibit,Family Friendly,Reception,Visual
ATTACH;FMTTYPE=image/jpeg:https://www.nvartscouncil.org/wp-content/uploads/FM-sbs.jpg
ORGANIZER;CN="Capital City Arts Initiative":MAILTO:sharonrosse2001@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250516T080000
DTEND;TZID=America/Los_Angeles:20250516T170000
DTSTAMP:20260422T173139
CREATED:20250512T185321Z
LAST-MODIFIED:20250512T185321Z
UID:63157-1747382400-1747414800@www.nvartscouncil.org
SUMMARY:Fables and Myths
DESCRIPTION:Capital City Arts Initiative is delighted to present work by Sue Cotter and Elaine Parks in the Fable and Myths exhibit. The exhibition brings together their work as a conversation that reflects on cultural and biological remnants. \nCCAI’s exhibit will be in Western Nevada College’s Bristlecone Gallery\, 2201 W. College Parkway\, Carson City from May 14 – Sept. 10\, 2025. The gallery is open to the public\, Monday through Friday\, 8 a.m. – 5 p.m. The artists’ reception will take place on Wednesday\, May 14\, 5–6:30 p.m. \nCotter said that the show’s title superbly mirrors her fascination with fables\, myths\, and all genres of storytelling\, which grew naturally out of a childhood immersed in stories. She said\, “As my family moved from place to place\, a feeling of rootlessness also contributed to my love of disappearing into a story. Books and characters in books became my best friends. As I pursued visual art\, the idea of telling a story was always in my mind\, not illustration but something more open and suggestive\, letting viewers connect to their own narratives. In time\, this approach evolved into the topographic mythology and the bird-headed Thel series. \n“I have used topographic maps in my work since 1981\, when\, as a student at the University of Nevada-Reno\, I saw maps and diagrams in a friend’s geology textbook. I was mesmerized by the beauty of the layered colors and contour line patterns. I didn’t see them as geologic deposits or land elevations; I saw letter-forms and dialogues\, zoomorphic and anthropomorphic shapes; I saw mythological creatures with stories to tell. As earthbound beings looking up at wonders in the night sky\, people of many cultures tell mythological stories inspired by star constellations and planets.” \nParks’ work depicts a cross of desert succulents and marine corals that the Disney fantasies missed. She said about her work\, “I create organic hand-built ceramic objects of contemplation derived from my years of engagement with the desert landscape. In this series of ceramic sculptures\, I take into account my shifting perspectives of the vast landscape and the closely observed details of the desert. The making process involves very detailed manipulation of each piece to create highly realized forms with a timeless quality. In part\, the forms are invented during the process of making. I am fascinated when forms in nature seem to cross between categories. For instance\, many actual tufa formations resemble animal and human forms. In some of my pieces\, I focus on a surface rock texture\, with limbs that create an animated\, creaturely form. The textures of many of these pieces come from direct observation of the incredible variety of tufa rocks. I like to create forms that defy strict categorization\, allowing the viewer to spend time thinking about what a piece looks like to them and engaging with the form\, perhaps being reminded of time spent in nature. My goal is to bring to mind the vitality and spirit of the landscape.” \nCotter is a mixed-media artist\, letterpress printer\, and artist bookmaker. She began her art career as a painter\, but also loved to write. She found the perfect marriage of these two passions in the Artist Book genre. After earning her art degree (University of Nevada\, Reno\, 1983)\, she went on to study the historic techniques of letterpress printing and bookmaking with Bob Blesse at the University of Nevada\, Reno\, Black Rock Press (1988-90). She moved to southern Utah in 1990\, where she acquired equipment and established her own letterpress printing and paper-making studio. \nCotter has received grants and awards\, including a Utah Artist Fellowship and a New Forms Grant from the Andy Warhol Foundation. Her work is in numerous libraries’ Special Collections\, as well as museums and private collections. She teaches workshops\, exhibits extensively\, and continues to explore the limitless possibilities of the book form. She lives in Parowan\, Utah\, where she and fellow artist Spike Ress have built their home and studios. \nParks is a ceramicist and sculptor. A Los Angeles native\, she received her MFA from California State University\, Los Angeles. In 1999\, Parks moved from a town of 14 million to Tuscarora\, Nevada\, a town of 14 people. She currently divides her time between Reno and Tuscarora\, Nevada. In Nevada\, Elaine was recently commissioned to make a series of ceramic sculptures for Deep Time: Sea Dragons of Nevada for the Nevada Museum of Art in Reno. Her work has been exhibited at the Northwest Reno Library\, Nevada Museum of Art\, Oats Park Art Center\, Marjorie Barrick Museum\, Sierra Arts\, and the Holland Project. Parks taught art for seven years at Great Basin College in Elko and has received the Nevada Arts Council Fellowship Award twice. She serves a board member of Double Scoop Art\, an online visual arts journal. \nParks has participated three times in Telephone\, an international game of art\, whispered around the world. In 2010\, she curated and hosted a pop-up exhibition with 24 artists\, music\, and performance events called pLAyLAnd. Nationally and internationally\, Parks was part of LA Contraventions in Germany\, Cryptographics: a tribute to the Voynich Manuscript at the EXPO Chicago\, and designed sets and costumes for Cabaret Revoltaire: 100 Years of Dada\, a performance event at ArtShareLA. Parks has exhibited her work in Los Angeles at LA Artcore\, Far Bazaar\, Angels Gate Cultural Center\, L2Kontemporary\, Antebellum Gallery\, Beyond Baroque\, Ronald Silverman Gallery\, Cal State LA\, and Neo LA Gallery. \nChris Lanier wrote the exhibition essay\, which is available as a gallery handout and archived at ccainv.org. Lanier is an artist and critic who generally likes to mix things up – words and pictures\, video and performance\, design\, and art. He’s had work shown and published in the U.S.\, Mexico\, England\, Japan\, France\, Canada\, and Serbia – and has written for The Believer\, HiLobrow\, Furtherfield\, Rhizome\, the San Francisco Chronicle\, and the Comics Journal. He was awarded a Nevada Arts Council Literary Arts Fellowship in 2024 and served as Reno City Artist for 2024. He is a teaching professor of digital art at the University of Nevada\, Reno at Lake Tahoe (formerly Sierra Nevada College). \nApril Reyes\, a Western Nevada College Latino Leadership Academy student\, provided the Spanish translation of the show’s wall text. \nWestern Nevada College is a component of the Nevada System of Higher Education\, with campuses in Carson City\, Douglas County\, and Fallon. CCAI is an artist-centered nonprofit organization committed to community engagement in contemporary visual arts through exhibitions\, illustrated talks\, arts education programs\, artist residencies\, and online activities. \nThe Initiative is funded by the John and Grace Nauman Foundation\, Nevada Humanities and the National Endowment for the Humanities\, Nevada Arts Council and the National Endowment for the Arts\, Carson City Cultural Commission\, Kaplan Family Charitable Fund\, Southwest Gas Corporation Foundation\, Steele & Associates LLC\, and CCAI sponsors and members. \nFor additional information\, please visit CCAI’s website at www.ccainv.org.
URL:https://www.nvartscouncil.org/event/fables-and-myths/2025-05-16/
LOCATION:Bristlecone Gallery\, 2201 W. College Parkway\, Carson City\, NV\, 89703\, United States
CATEGORIES:Exhibit,Family Friendly,Reception,Visual
ATTACH;FMTTYPE=image/jpeg:https://www.nvartscouncil.org/wp-content/uploads/FM-sbs.jpg
ORGANIZER;CN="Capital City Arts Initiative":MAILTO:sharonrosse2001@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250515T080000
DTEND;TZID=America/Los_Angeles:20250515T170000
DTSTAMP:20260422T173139
CREATED:20250512T185321Z
LAST-MODIFIED:20250512T185321Z
UID:63156-1747296000-1747328400@www.nvartscouncil.org
SUMMARY:Fables and Myths
DESCRIPTION:Capital City Arts Initiative is delighted to present work by Sue Cotter and Elaine Parks in the Fable and Myths exhibit. The exhibition brings together their work as a conversation that reflects on cultural and biological remnants. \nCCAI’s exhibit will be in Western Nevada College’s Bristlecone Gallery\, 2201 W. College Parkway\, Carson City from May 14 – Sept. 10\, 2025. The gallery is open to the public\, Monday through Friday\, 8 a.m. – 5 p.m. The artists’ reception will take place on Wednesday\, May 14\, 5–6:30 p.m. \nCotter said that the show’s title superbly mirrors her fascination with fables\, myths\, and all genres of storytelling\, which grew naturally out of a childhood immersed in stories. She said\, “As my family moved from place to place\, a feeling of rootlessness also contributed to my love of disappearing into a story. Books and characters in books became my best friends. As I pursued visual art\, the idea of telling a story was always in my mind\, not illustration but something more open and suggestive\, letting viewers connect to their own narratives. In time\, this approach evolved into the topographic mythology and the bird-headed Thel series. \n“I have used topographic maps in my work since 1981\, when\, as a student at the University of Nevada-Reno\, I saw maps and diagrams in a friend’s geology textbook. I was mesmerized by the beauty of the layered colors and contour line patterns. I didn’t see them as geologic deposits or land elevations; I saw letter-forms and dialogues\, zoomorphic and anthropomorphic shapes; I saw mythological creatures with stories to tell. As earthbound beings looking up at wonders in the night sky\, people of many cultures tell mythological stories inspired by star constellations and planets.” \nParks’ work depicts a cross of desert succulents and marine corals that the Disney fantasies missed. She said about her work\, “I create organic hand-built ceramic objects of contemplation derived from my years of engagement with the desert landscape. In this series of ceramic sculptures\, I take into account my shifting perspectives of the vast landscape and the closely observed details of the desert. The making process involves very detailed manipulation of each piece to create highly realized forms with a timeless quality. In part\, the forms are invented during the process of making. I am fascinated when forms in nature seem to cross between categories. For instance\, many actual tufa formations resemble animal and human forms. In some of my pieces\, I focus on a surface rock texture\, with limbs that create an animated\, creaturely form. The textures of many of these pieces come from direct observation of the incredible variety of tufa rocks. I like to create forms that defy strict categorization\, allowing the viewer to spend time thinking about what a piece looks like to them and engaging with the form\, perhaps being reminded of time spent in nature. My goal is to bring to mind the vitality and spirit of the landscape.” \nCotter is a mixed-media artist\, letterpress printer\, and artist bookmaker. She began her art career as a painter\, but also loved to write. She found the perfect marriage of these two passions in the Artist Book genre. After earning her art degree (University of Nevada\, Reno\, 1983)\, she went on to study the historic techniques of letterpress printing and bookmaking with Bob Blesse at the University of Nevada\, Reno\, Black Rock Press (1988-90). She moved to southern Utah in 1990\, where she acquired equipment and established her own letterpress printing and paper-making studio. \nCotter has received grants and awards\, including a Utah Artist Fellowship and a New Forms Grant from the Andy Warhol Foundation. Her work is in numerous libraries’ Special Collections\, as well as museums and private collections. She teaches workshops\, exhibits extensively\, and continues to explore the limitless possibilities of the book form. She lives in Parowan\, Utah\, where she and fellow artist Spike Ress have built their home and studios. \nParks is a ceramicist and sculptor. A Los Angeles native\, she received her MFA from California State University\, Los Angeles. In 1999\, Parks moved from a town of 14 million to Tuscarora\, Nevada\, a town of 14 people. She currently divides her time between Reno and Tuscarora\, Nevada. In Nevada\, Elaine was recently commissioned to make a series of ceramic sculptures for Deep Time: Sea Dragons of Nevada for the Nevada Museum of Art in Reno. Her work has been exhibited at the Northwest Reno Library\, Nevada Museum of Art\, Oats Park Art Center\, Marjorie Barrick Museum\, Sierra Arts\, and the Holland Project. Parks taught art for seven years at Great Basin College in Elko and has received the Nevada Arts Council Fellowship Award twice. She serves a board member of Double Scoop Art\, an online visual arts journal. \nParks has participated three times in Telephone\, an international game of art\, whispered around the world. In 2010\, she curated and hosted a pop-up exhibition with 24 artists\, music\, and performance events called pLAyLAnd. Nationally and internationally\, Parks was part of LA Contraventions in Germany\, Cryptographics: a tribute to the Voynich Manuscript at the EXPO Chicago\, and designed sets and costumes for Cabaret Revoltaire: 100 Years of Dada\, a performance event at ArtShareLA. Parks has exhibited her work in Los Angeles at LA Artcore\, Far Bazaar\, Angels Gate Cultural Center\, L2Kontemporary\, Antebellum Gallery\, Beyond Baroque\, Ronald Silverman Gallery\, Cal State LA\, and Neo LA Gallery. \nChris Lanier wrote the exhibition essay\, which is available as a gallery handout and archived at ccainv.org. Lanier is an artist and critic who generally likes to mix things up – words and pictures\, video and performance\, design\, and art. He’s had work shown and published in the U.S.\, Mexico\, England\, Japan\, France\, Canada\, and Serbia – and has written for The Believer\, HiLobrow\, Furtherfield\, Rhizome\, the San Francisco Chronicle\, and the Comics Journal. He was awarded a Nevada Arts Council Literary Arts Fellowship in 2024 and served as Reno City Artist for 2024. He is a teaching professor of digital art at the University of Nevada\, Reno at Lake Tahoe (formerly Sierra Nevada College). \nApril Reyes\, a Western Nevada College Latino Leadership Academy student\, provided the Spanish translation of the show’s wall text. \nWestern Nevada College is a component of the Nevada System of Higher Education\, with campuses in Carson City\, Douglas County\, and Fallon. CCAI is an artist-centered nonprofit organization committed to community engagement in contemporary visual arts through exhibitions\, illustrated talks\, arts education programs\, artist residencies\, and online activities. \nThe Initiative is funded by the John and Grace Nauman Foundation\, Nevada Humanities and the National Endowment for the Humanities\, Nevada Arts Council and the National Endowment for the Arts\, Carson City Cultural Commission\, Kaplan Family Charitable Fund\, Southwest Gas Corporation Foundation\, Steele & Associates LLC\, and CCAI sponsors and members. \nFor additional information\, please visit CCAI’s website at www.ccainv.org.
URL:https://www.nvartscouncil.org/event/fables-and-myths/2025-05-15/
LOCATION:Bristlecone Gallery\, 2201 W. College Parkway\, Carson City\, NV\, 89703\, United States
CATEGORIES:Exhibit,Family Friendly,Reception,Visual
ATTACH;FMTTYPE=image/jpeg:https://www.nvartscouncil.org/wp-content/uploads/FM-sbs.jpg
ORGANIZER;CN="Capital City Arts Initiative":MAILTO:sharonrosse2001@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250514T080000
DTEND;TZID=America/Los_Angeles:20250514T170000
DTSTAMP:20260422T173139
CREATED:20250512T185321Z
LAST-MODIFIED:20250512T185732Z
UID:62957-1747209600-1747242000@www.nvartscouncil.org
SUMMARY:Fables and Myths
DESCRIPTION:Capital City Arts Initiative is delighted to present work by Sue Cotter and Elaine Parks in the Fable and Myths exhibit. The exhibition brings together their work as a conversation that reflects on cultural and biological remnants. \nCCAI’s exhibit will be in Western Nevada College’s Bristlecone Gallery\, 2201 W. College Parkway\, Carson City from May 14 – Sept. 10\, 2025. The gallery is open to the public\, Monday through Friday\, 8 a.m. – 5 p.m. The artists’ reception will take place on Wednesday\, May 14\, 5–6:30 p.m. \nCotter said that the show’s title superbly mirrors her fascination with fables\, myths\, and all genres of storytelling\, which grew naturally out of a childhood immersed in stories. She said\, “As my family moved from place to place\, a feeling of rootlessness also contributed to my love of disappearing into a story. Books and characters in books became my best friends. As I pursued visual art\, the idea of telling a story was always in my mind\, not illustration but something more open and suggestive\, letting viewers connect to their own narratives. In time\, this approach evolved into the topographic mythology and the bird-headed Thel series. \n“I have used topographic maps in my work since 1981\, when\, as a student at the University of Nevada-Reno\, I saw maps and diagrams in a friend’s geology textbook. I was mesmerized by the beauty of the layered colors and contour line patterns. I didn’t see them as geologic deposits or land elevations; I saw letter-forms and dialogues\, zoomorphic and anthropomorphic shapes; I saw mythological creatures with stories to tell. As earthbound beings looking up at wonders in the night sky\, people of many cultures tell mythological stories inspired by star constellations and planets.” \nParks’ work depicts a cross of desert succulents and marine corals that the Disney fantasies missed. She said about her work\, “I create organic hand-built ceramic objects of contemplation derived from my years of engagement with the desert landscape. In this series of ceramic sculptures\, I take into account my shifting perspectives of the vast landscape and the closely observed details of the desert. The making process involves very detailed manipulation of each piece to create highly realized forms with a timeless quality. In part\, the forms are invented during the process of making. I am fascinated when forms in nature seem to cross between categories. For instance\, many actual tufa formations resemble animal and human forms. In some of my pieces\, I focus on a surface rock texture\, with limbs that create an animated\, creaturely form. The textures of many of these pieces come from direct observation of the incredible variety of tufa rocks. I like to create forms that defy strict categorization\, allowing the viewer to spend time thinking about what a piece looks like to them and engaging with the form\, perhaps being reminded of time spent in nature. My goal is to bring to mind the vitality and spirit of the landscape.” \nCotter is a mixed-media artist\, letterpress printer\, and artist bookmaker. She began her art career as a painter\, but also loved to write. She found the perfect marriage of these two passions in the Artist Book genre. After earning her art degree (University of Nevada\, Reno\, 1983)\, she went on to study the historic techniques of letterpress printing and bookmaking with Bob Blesse at the University of Nevada\, Reno\, Black Rock Press (1988-90). She moved to southern Utah in 1990\, where she acquired equipment and established her own letterpress printing and paper-making studio. \nCotter has received grants and awards\, including a Utah Artist Fellowship and a New Forms Grant from the Andy Warhol Foundation. Her work is in numerous libraries’ Special Collections\, as well as museums and private collections. She teaches workshops\, exhibits extensively\, and continues to explore the limitless possibilities of the book form. She lives in Parowan\, Utah\, where she and fellow artist Spike Ress have built their home and studios. \nParks is a ceramicist and sculptor. A Los Angeles native\, she received her MFA from California State University\, Los Angeles. In 1999\, Parks moved from a town of 14 million to Tuscarora\, Nevada\, a town of 14 people. She currently divides her time between Reno and Tuscarora\, Nevada. In Nevada\, Elaine was recently commissioned to make a series of ceramic sculptures for Deep Time: Sea Dragons of Nevada for the Nevada Museum of Art in Reno. Her work has been exhibited at the Northwest Reno Library\, Nevada Museum of Art\, Oats Park Art Center\, Marjorie Barrick Museum\, Sierra Arts\, and the Holland Project. Parks taught art for seven years at Great Basin College in Elko and has received the Nevada Arts Council Fellowship Award twice. She serves a board member of Double Scoop Art\, an online visual arts journal. \nParks has participated three times in Telephone\, an international game of art\, whispered around the world. In 2010\, she curated and hosted a pop-up exhibition with 24 artists\, music\, and performance events called pLAyLAnd. Nationally and internationally\, Parks was part of LA Contraventions in Germany\, Cryptographics: a tribute to the Voynich Manuscript at the EXPO Chicago\, and designed sets and costumes for Cabaret Revoltaire: 100 Years of Dada\, a performance event at ArtShareLA. Parks has exhibited her work in Los Angeles at LA Artcore\, Far Bazaar\, Angels Gate Cultural Center\, L2Kontemporary\, Antebellum Gallery\, Beyond Baroque\, Ronald Silverman Gallery\, Cal State LA\, and Neo LA Gallery. \nChris Lanier wrote the exhibition essay\, which is available as a gallery handout and archived at ccainv.org. Lanier is an artist and critic who generally likes to mix things up – words and pictures\, video and performance\, design\, and art. He’s had work shown and published in the U.S.\, Mexico\, England\, Japan\, France\, Canada\, and Serbia – and has written for The Believer\, HiLobrow\, Furtherfield\, Rhizome\, the San Francisco Chronicle\, and the Comics Journal. He was awarded a Nevada Arts Council Literary Arts Fellowship in 2024 and served as Reno City Artist for 2024. He is a teaching professor of digital art at the University of Nevada\, Reno at Lake Tahoe (formerly Sierra Nevada College). \nApril Reyes\, a Western Nevada College Latino Leadership Academy student\, provided the Spanish translation of the show’s wall text. \nWestern Nevada College is a component of the Nevada System of Higher Education\, with campuses in Carson City\, Douglas County\, and Fallon. CCAI is an artist-centered nonprofit organization committed to community engagement in contemporary visual arts through exhibitions\, illustrated talks\, arts education programs\, artist residencies\, and online activities. \nThe Initiative is funded by the John and Grace Nauman Foundation\, Nevada Humanities and the National Endowment for the Humanities\, Nevada Arts Council and the National Endowment for the Arts\, Carson City Cultural Commission\, Kaplan Family Charitable Fund\, Southwest Gas Corporation Foundation\, Steele & Associates LLC\, and CCAI sponsors and members. \nFor additional information\, please visit CCAI’s website at www.ccainv.org.
URL:https://www.nvartscouncil.org/event/fables-and-myths/2025-05-14/
LOCATION:Bristlecone Gallery\, 2201 W. College Parkway\, Carson City\, NV\, 89703\, United States
CATEGORIES:Exhibit,Family Friendly,Reception,Visual
ATTACH;FMTTYPE=image/jpeg:https://www.nvartscouncil.org/wp-content/uploads/FM-sbs.jpg
ORGANIZER;CN="Capital City Arts Initiative":MAILTO:sharonrosse2001@yahoo.com
END:VEVENT
END:VCALENDAR