Events

How do you create a flop on Broadway? If you’re Mel Brooks, you start with a scheming con man (Max Bialystock), add in a mousy accountant (Leo Bloom), then introduce them to a pigeon-loving Nazi and his script for a gloriously offensive musical, “Springtime for Hitler," and finally, sprinkle in an eager blonde bombshell! It’s […]

How do you create a flop on Broadway? If you’re Mel Brooks, you start with a scheming con man (Max Bialystock), add in a mousy accountant (Leo Bloom), then introduce them to a pigeon-loving Nazi and his script for a gloriously offensive musical, “Springtime for Hitler," and finally, sprinkle in an eager blonde bombshell! It’s […]

How do you create a flop on Broadway? If you’re Mel Brooks, you start with a scheming con man (Max Bialystock), add in a mousy accountant (Leo Bloom), then introduce them to a pigeon-loving Nazi and his script for a gloriously offensive musical, “Springtime for Hitler," and finally, sprinkle in an eager blonde bombshell! It’s […]

How do you create a flop on Broadway? If you’re Mel Brooks, you start with a scheming con man (Max Bialystock), add in a mousy accountant (Leo Bloom), then introduce them to a pigeon-loving Nazi and his script for a gloriously offensive musical, “Springtime for Hitler," and finally, sprinkle in an eager blonde bombshell! It’s […]

How do you create a flop on Broadway? If you’re Mel Brooks, you start with a scheming con man (Max Bialystock), add in a mousy accountant (Leo Bloom), then introduce them to a pigeon-loving Nazi and his script for a gloriously offensive musical, “Springtime for Hitler," and finally, sprinkle in an eager blonde bombshell! It’s […]

How do you create a flop on Broadway? If you’re Mel Brooks, you start with a scheming con man (Max Bialystock), add in a mousy accountant (Leo Bloom), then introduce them to a pigeon-loving Nazi and his script for a gloriously offensive musical, “Springtime for Hitler," and finally, sprinkle in an eager blonde bombshell! It’s […]

How do you create a flop on Broadway? If you’re Mel Brooks, you start with a scheming con man (Max Bialystock), add in a mousy accountant (Leo Bloom), then introduce them to a pigeon-loving Nazi and his script for a gloriously offensive musical, “Springtime for Hitler," and finally, sprinkle in an eager blonde bombshell! It’s […]